A Resource for Performing Artists, Scholars and Audiences.
Erin Jonhson and I are working on a new piece called "Bobinetting" for the ZERO1 Biennial in San Jose this January. More information to come soon, but until then:
Bobinetting is the contemporary appropriation of an anachronistic feminist device. In 1832 French ballerina Marie Taglioni dawned the first tutu to dance the ballet La Sylphide. The tutu is made of tulle, light fabric that consists of strong hexagonal stitching. The light and strong makeup of the dancing skirt allowed for Taglioni to move around the stage more freely and to jump as high as her male counterparts. Since the nineteenth century the tutu and its characteristic tulle technology has become the iconographic symbol of the female ballerina as sexual object. Bobinetting explores the way that technological prosthesis can simultaneously empower and objectify the body. What is technology and what does it do to our identity? This performance is a new media artwork for which tulle is a movement sensor. By way of stripping digital devices from the performance environment we focus on the physicality of the human body as it has always interacted with objects. During a time when new media devices are often staged as trendy fetish objects, we take away the devices to think metaphorically and historically about bodies, movement sensors, and prosthetics. Bobbinetting is a prosthetic dance between tulle netting and human agent.