He studies Piano, Singing, Vocal Technique, Musical Composition, Counterpoint, Musical Analysis. His teachers were Ernesto Epstein, Sergio Hualpa, Guillermo Graetzer, José Antonio Gallo, Aurora Fiocca, Ana Pino, Enrique Morera, Helga Epstein, Horacio Amauri, Celina Torres, Antonio Yepes, Carlos López Puccio, Jorge Schultiss, among others.

He works as a pianist in accompaniment of classic and contemporary dance classes, with teachers such as Renate Schottelius, Cristina Barnils, Ana Itelman, Oscar Araiz, Vakhtang Tchaboukiani, among others.

He holds an academic position as a University Professor at the Arts of Movement Department (Departamento de Artes del Movimiento) from the National Art University Institute (Instituto Universitario Nacional del Arte).

He has worked at the Instituto Superior de Arte del Teatro Colón, at the Dance Workshop and at the San Martín Theater Contemporary Dance Group. He also held positions at the Dance Companie and at the Dance Academy of the choreographer Peter Goss (Paris), as well as at the Academie Chaptal, (Paris), at the Ricky Pashkus and Julio Bocca´s Musical Comedy School and at the School of Contemporary Dance Association Art XXI managed by Oscar Araiz and Guido de Benedetti, among others institutions.

As an academic researcher, he participates in research projects in the Arts of Movement Department Research Institute and the School of Graduate Studies in Combined Languages from the Visual Art Department, National Art University Institute.

He also works as a pianist and composer, taking part of diverse musical and theatrical performances like Tangos y Susurros by Mónica Maffía; La Puñalada by Susana Tambutti; Mar en Calma, Las Paseantes, La Familia China, Suite, Caballo en un incendio by the La Serie Team directed by Ita Scaramuzza and Alfredo Rosenbaum; La Mirada de Dios by Alfredo Rosenbaum; El Mensajero by César Aira; Ricardo III by William Shakespeare, adaptation and direction by Laura Silva; Sangre, Macabra Parodia Trágica de una Muerte Erótica by Laura Silva and Osvaldo Peluffo; Bolero by Cristina Moreira; El Evangelio según Darío Fo by Claudio Nadie; Parece Mentira, by Andrea Bonelli and Nacho Gadano; "Die Farce der Suche" - Ein Solo von und über Renate Schottelius-, de Paula Rosolen. Frankfurt Lab, Frankfurt. Theater Festival 150% Made in Hamburg, Hamburg, European Festival of Contemporary Dance, Cracovia y Bytom, Polonia. 2010, 2011, among others.