Olivia Giovannini
  • Female
  • Genoa
  • Italy
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Olivia Giovannini's Page

Profile Information

Performance Discipline
choreographer, dancer and body performer
Bio
Olivia Giovannini: choreographer, dancer and performer. She has been studying since the early 90’s taking classes and workshops with: N. Bernardini, P. Doussaint, A. Certini, J. Gaudin, O. D’Agostino, K. Duck, Tanz Company E. Gervasi, MK, Kinkaleri, at the same time deepening her skills in Aiki Taiso, an internal form of Aikido, and in Yoga. Since 2003 she participates in the experimental project Acquario lead by Michele Di Stefano (MK). In September 2004 she took part in sostanzasonora, a production by the MK dance company (Festival Enzimi, Rome). She graduated from D.A.M.S. in Turin in Dance History, discussing a research thesis entitled La compagnia di danza MK (July 2009) an extract of which was published for the online magazine of D.A.M.S. of Bologna, Danza e Ricerca. She teaches contemporary dance, holds dance preparation classes as well as corporal expression in elementary schools (Mus-e project). In 2001 she contributed to the birth of S.A.N., a group thought as a container bound to gather expertise and experiences of people with different artistic and professional backgrounds. O. Giovannini / S.A.N. works on dance performances and installations, constantly experimenting with body, sound, video and lighting, taking part in the main national performing arts events and festivals.

O. Giovannini / S.A.N was a guest of: Teatro della Tosse (Genoa), Teatro dell’Archivolto (Genoa) , Teatri di Vetro (Rome), Teatro Kismet Opera (Bari), Teatro TaTA’ (Taranto), Festival Ammutinamenti (Ravenna), Festival Interplay (Turin), Festival AttraversamentiMultipli (Rome), Corpi Urbani-Urban Bodies (Genoa), Festival Santarcangelo dei Teatri-Immensa (Santarcangelo di Romagna), Lavori in pelle (Ravenna), Gender Bender Festival (Bologna), Fucina Off (Spoleto), Museo d’Arte Contemporanea Villa Croce (Genoa), Contemporart Ospitale d’Arte Villa Piaggio (Genoa), Rialto Sant’Ambrogio (Rome).

Main productions: supersolo - 2006, project # - 2006/20013, Funk’n FUCK - 2009, P.P-P.4.2 (plastic play-pen 4.2) -2007/2014, AH23 -2009/2013, AVIDVOID proj. - 2011, FunnyGames – 2011/2013, SOUNDTRACK - 2013, LOVE/UNLOVE - 2014
P.P-P. 4.2 and AH23 are selected projects for Anticorpi eXpLo 2009/2010 – the first Italian independent network dedicated to young authorial dance.

O. Giovannini / S.A.N. is a member of the DanzaContempoLigure Network www.danzacontempoligure.org

www.oliviagiovannini.net
www.vimeo.com/oliviagiovannini
Website
http://www.oliviagiovannini.net

PRESS

>>Su Love/Unlove da Biancaneve al Carlo Felice: un balletto fiabesco e dark

ELVIRA BONFANTI

in mentelocale.it

25/05/2014

http://genova.mentelocale.it/58868-genova-biancaneve-al-carlo-felice-balletto-fiabesco-dark/



>>Love/Unlove alla Claque per DANZARETEATRO. Il clubbing verso nuovi orizzonti performativi: ecco l'intervista a Rocco Colonnetta, Marina Giardina e Olivia Giovannini

GAIA CLOTILDE CHERNETICH

in Aringa Critica

16/05/2014

http://aringacritica.wordpress.com/2014/05/16/loveunlove/

anche in Rassegna Stampa Nazionale di Il Tamburo di Katrin

http://www.iltamburodikattrin.com/rassegna-stampa/2014/rassegna-stampa-12-18-maggio/



>>Il diario critico della rassegna DANZARETEATRO, si apre con "Plastic Play-Pen 4.2" e l'intervista a Olivia Giovannini

GAIA CLOTILDE CHERNETICH 

in Aringa Critica

8/05/2014

http://aringacritica.wordpress.com/2014/05/08/danzareteatro1/



>>Su On Her Own da Bogliasco, dove la danza trova l'America

GAIA CLOTILDE CHERNETICH

in Aringa Critica

30/05/2013

http://aringacritica.wordpress.com/2013/05/30/bogliasco-dove-la-danza-trova-lamerica/



>>Dance in the Birthplace of PestoROSLYN SULCAS

in The Herald Tribune (N.Y.)

28/05/2013

http://rendezvous.blogs.nytimes.com/2013/05/28/dance-in-the-birthplace-of-pesto/,



>>Su Soundtrack da Danzareteatro al Teatro della Tosse, danze in prima serata

GAIA CLOTILDE CHERNETICH

in Aringa Critica

18/05/2014

http://aringacritica.wordpress.com/2013/05/18/dopo-pre-visioni-lattivita-del-teatro-della-tosse-continua/



>>Ipotesi per il femminile. Denoma e S.A.N attraverso il ruolo dello spettatore esplorano tradizione e contemporaneo

GIACOMO D’ALELIO

in La differenza settimanale di cultura, Anno 1 Numero 21

30/05/2008

http://www.differenza.org/articolo.asp?id=255

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